"Anora": A Raw, Electric, and Wild Modern Fairytale

Directed by: Sean Baker
Rating: 9/10

In the cinematic world where the fairytale narrative often gets lost in the gloss of digital fantasy and the push for inclusivity, Sean Baker's Palme d'Or winner, “Anora,” reintroduces us to a gritty and audacious Cinderella story that is both electric and comedic. With the film's main character, Ani, played masterfully by Mikey Madison, we explore the underbelly of Brooklyn as she navigates the chaos that erupts when she impulsively marries Vanya (Mark Eydelshteyn), the reckless son of a wealthy Russian billionaire. What happened afterward is a wild chase through the streets of New York, underscored by Baker's unique writing, direction, and the film's textured aesthetic. This is one of the best films I've seen this year and perhaps even a crowning achievement in Baker's already impressive body of work.

From the outset, Baker's vision for “Anora” is unique. His previous works, such as "Red Rocket" and "The Florida Project," have paved the way for a distinct narrative style that often melds realism with a raw emotional core. However, “Anora” marks a new pinnacle for him, blending urban life's raunchy and electric energy with a story that resonates deeply. Baker's ability to capture the heart of his characters while putting them in an environment that feels both lived-in and real is a testament to his mastery. The film's aesthetics are deliberately grungy, evoking a sense of authenticity that mirrors the lives of the characters within it. Life in New York, as depicted through Baker's lens, is not sugar-coated. It is a place where stark realities often overshadow dreams. Yet, within this gritty backdrop, the film finds humor and absurdity.

Baker's direction is a masterclass in capturing raw emotion, and I think his unique style elevates “Anora” to new heights. The film's aesthetic is textured and grungy, evoking the gritty reality of urban life authentically. I've missed seeing that kind of realism in films lately, and Baker's ability to immerse us in Ani's world through his lens is a testament to his artistry. This is probably his best work so far, and as much as I loved "Red Rocket" and "The Florida Project," “Anora” hits all the right notes for me. It's raunchy, electric, and wild, perfectly balancing humor and heart.

Mikey Madison shines as Ani, a young sex worker, navigating the streets of Brooklyn. Her performance is a revelation. I was mesmerized by her portrayal of Ani, a character who embodies a fierce spirit yet carries the weight of vulnerability. Ani is not merely a stereotype of a sex worker; she is a complex individual whose vulnerability and strength are palpable. Madison's ability to oscillate between the hotheadedness of a young woman desperate for love and money and the vulnerability that comes from her circumstances is a remarkable feat. The bravery she demonstrates in her performance elevates the film, making Ani a character that is as relatable as she is captivating. I felt her struggles and triumphs in every scene, and it made me reflect on the complexities of survival in a world that often overlooks the humanity of individuals like Ani.

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The supporting cast also deserves praise for their performances. Vache Tovmasyan's Garnyck is a standout, injecting much-needed humor into the narrative. I couldn't help but laugh at his comedic timing; each word that came out of his mouth felt perfectly placed and never forced. His character adds a layer of absurdity to the chaos unfolding around Ani and Vanya, which I found refreshing. Yura Borisov, who plays Igor, also impressed me, even with limited dialogue. His subtle gestures and expressive eyes tell their own story, drawing the audience in and allowing us to feel the weight of his character's existence. His subtle gestures and nuanced expressions convey a wealth of emotion, revealing layers of vulnerability beneath his stoic exterior. Baker's direction shines through in these moments, allowing the audience to glean insight into the characters' internal struggles without the need for overt exposition. The film's strength lies in its ability to hint at the complexities of each character's life, drawing viewers deeper into their world.

That said, the first 40 minutes feel sluggish, almost unbearable at times, as the film lays the groundwork for what is to come. While rich in character development, it may leave some yearning for a quicker narrative progression, to which I questioned whether the film would ultimately deliver on its promise. The pacing felt dull and dragged, and I almost considered walking out of the theater. However, once the film hits its stride in the second half, it evolves into something extraordinary. The frenetic energy of the following chase is reminiscent of the intensity found in films like "Uncut Gems" and "Good Time." The narrative takes unexpected twists and turns, propelling Ani and the gang into a whirlwind of chaos that reveals the fragility of their existence. In this shift, the film indeed finds its footing, intertwining rollercoaster moments with poignant revelations about the characters' loneliness and brokenness. Despite the seemingly fun and exhilarating escapades, the reality of their lives begins to seep through. It's a powerful reminder that beneath the surface of excitement and adventure lies a profound loneliness that many of us can relate to. The film's ability to juxtapose the thrill of the chase with the emotional weight of the characters' lives left me reflecting long after the credits rolled.

What stands out in “Anora” is Baker's deft handling of these themes. He does not shy away from showcasing the rawness of life, yet he infuses the narrative with humor and heart. The film serves as a reminder that even in moments of chaos and absurdity, there exists a profound sense of longing and desire for connection. As the film concludes, I am left with a bittersweet understanding of the characters' journeys — they may have experienced a night of thrill and excitement. Still, they are ultimately left grappling with their loneliness.

Ultimately, “Anora” is not just a film about a chase or a fairytale gone awry; it's a poignant exploration of love, desperation, and the human condition. I genuinely think it's one of the year's best films, showcasing Baker's incredible talent as a storyteller. The film is an exhilarating blend of romance and dramedy, anchored by Mikey Madison's audacious performance and Baker's exceptional direction and screenplay. I walked away from the theater feeling enriched and inspired, and I can't wait to see how this film resonates with others as they experience Ani's journey in “Anora.”